Michael Jackson is known as a talented singer, dancer, actor… In 1988, the king of pop surprised the world with his gravity-defying dance in the music video Smooth Criminal .
In one scene, Jackson and several of his dancers lean forward 45 degrees, backs straight, feet flat on the floor, holding the pose until they return to an upright position with ease.
Michael Jackson and his 45-degree tilt dance that defies gravity. Photo: Internet.
Not only in that music video, even on stage, Michael Jackson could perform this dance skillfully, making the audience below amazed. Many people exclaimed: “It’s unbelievable, normal people cannot lean forward 45 degrees from the ground, because the Earth’s gravity will make them face down on the floor immediately.”
Neurosurgeon Dr Nishant Yagnick, a senior neuroscientist at the Institute of Medical Education and Research in Chandigarh, India, insists it is actually impossible: “He must have done something to do this. You can bend forward a maximum of 25 or 30 degrees before you fall.”
Another Jackson fan, Dr. Manjul Tripathi, said, “I tried to do it and I fell down.”
The 45-degree bend of a normal person compared to Michael Jackson’s miraculous bend. Photo: Internet.
Doctors have explained that when the human body bends forward with a straight back, the pectoralis major muscles that run parallel to our vertebrae “act like cables,” supporting the body as the center of gravity shifts. But when the center of gravity shifts to the ankles, those erector spinae muscles are not the primary support. Instead, the pressure is placed on the calves and Achilles tendons, which are not really built for that role.
“This allows a very limited degree of forward bending from the ankle joints, while maintaining an upright posture – unless you’re Michael Jackson,” the doctors asserted during the study.
Most trained dancers with strong core strength will achieve a maximum of 25 or 30 degrees of forward bend while performing this move. Even with his unique physique, Michael Jackson couldn’t do it without help. So he and his team invented a special shoe that would keep him from falling to the floor while leaning.
The world has unveiled Michael Jackson’s dance and discovered that the shoes were one of the key points. Photo: Internet
Patented on October 26, 1993, the shoe features a specially designed heel slot that can be removed with a hook (like a nail) projecting through the stage surface by simply sliding the wearer’s foot forward.
However, experts assert that even with such shoes, normal people would find it difficult to lean at a 45-degree angle. Dr. Yagnick asserted: “Normal people, even with shoes, probably can’t do that. It takes a lot of practice to develop muscles, abdominal muscles… to have the strength to do like Michael Jackson.”
Many viewers watched Jackson and his dancers perform spectacular choreography on videos and in concerts. To them, the dances looked like “magic.” “When Michael Jackson released the video and then blew up on stages all over the world, people didn’t know he had these ‘magic’ shoes,” Yagnick said, laughing.
In fact, they found that Michael Jackson balanced almost entirely on his heels. Scientists have shown that the success of the “Smooth Criminal” side-step was largely due to Michael Jackson’s ability to control his muscles and spine. The soles of his shoes are important, but they are mainly a fulcrum!
News
When Jonas Kaufmann and Anna Netrebko come together to perform “O Soave Fanciulla” from La Bohème, it’s not just a duet — it’s an electric collision of passion and perfection. Their voices, rich and full of longing, weave through the iconic aria with a chemistry so palpable, it feels like time stands still. Every note exchanged is a declaration of love, each phrase brimming with desire, heartbreak, and the magic of opera. Witnessing this performance isn’t just hearing music — it’s stepping into the heart of La Bohème itself.
When Jonas Kaufmann and Anna Netrebko come together to perform “O Soave Fanciulla” from La Bohème, it’s not just a…
For the first time, two worlds collided in the most breathtaking harmony — the golden voice of Jonas Kaufmann and the electrifying strings of David Garrett. It wasn’t just a performance at the UEFA EURO 2024 final tournament draw; it was a symphonic moment where classical mastery met emotional grandeur. As Kaufmann’s voice soared and Garrett’s violin wept beside it, time seemed to pause — a duet not just of talent, but of soul. Fans around the world, from Zagreb to Zurich, were left spellbound, unable to look away or stop listening. This wasn’t music for an event — it was a gift for eternity.
A shocking claim attributed to Jim Carrey suggests two of entertainment’s biggest titans lived in fear of one man. He…
Anna Lapwood walked into the cathedral — and every note she played carried the weight of a promise made years before.
At just 13 years old, Clara Vasseur was the kind of musical prodigy you read about but never expect to…
Last curtain call — Pavarotti poured his soul passionately on a humble stage, serenading family and close friends in a tender farewell concert. Under soft, glowing lights, every note he sang carried a lifetime of emotion, breaking through the silence and wrapping the room in heartfelt memories. The intimate setting amplified the power of his voice, turning a simple evening into an unforgettable moment where time seemed to pause. Tears flowed freely as the legendary tenor’s final performance became a moving tribute to art, love, and the fragile beauty of goodbyes — a night forever etched in the hearts of those lucky enough to witness it.
Last curtain call — Pavarotti poured his soul passionately on a humble stage, serenading family and close friends in a…
Pavarotti’s final message — a heartfelt letter and inspiring video to young opera singers urging passion, perseverance, and artistic responsibility Before bidding farewell to the world, Luciano Pavarotti left behind more than just his legendary voice. In a poignant letter and a deeply moving video message, he reached out to the next generation of opera singers, offering words that echo far beyond the stage. Pavarotti spoke of the fierce passion that fuels true artistry, the unyielding perseverance needed to master the craft, and the sacred responsibility every performer carries to honor and evolve the art form. His message is a timeless call to young artists: pursue your dreams relentlessly, respect the legacy, and never lose sight of the soul behind the song.
Pavarotti’s final message — a heartfelt letter and inspiring video to young opera singers urging passion, perseverance, and artistic responsibility…
Pirates of the night — In the echoing grandeur of the Philharmonie, Anna Lapwood unleashed Hans Zimmer’s “Pirates of the Caribbean” on the pipe organ like a storm breaking at sea. The bass rumbled like cannon fire, the treble danced like moonlight on restless waves, and the hall itself seemed to tilt with the music’s pull. For a few spellbound minutes, strangers became shipmates, riding a shared surge of adrenaline and wonder. And when the final chord rang out into the dark, it felt less like an ending and more like the wind carrying the ship onward.
Pirates of the night — Anna Lapwood summons cinematic storm on organ pipes, making Hans Zimmer’s ‘Pirates of the Caribbean’…
End of content
No more pages to load