Sir Anthony Hopkins Breaks Down In Tears As André Rieu’s Orchestra Brings To Life The Waltz He Wrote Half A Century Ago. The Music, Buried In Time For 50 Years, Returns In A Breathtaking Performance That Leaves Both The Actor And The Audience Overwhelmed. A Once-In-A-Lifetime Moment Five Decades In The Making, It Proves That Some Dreams Never Fade.
Sir Anthony Hopkins Breaks Down In Tears As André Rieu’s Orchestra Brings His Lost Waltz To Life After Nearly 50 Years

He is one of the greatest actors of his generation, known around the world for chilling performances as Hannibal Lecter in The Silence of the Lambs and as Odin in Marvel’s Thor. But for Sir Anthony Hopkins, the role that has always mattered most is not on the screen — it is at the piano.
In 1964, long before Hollywood stardom came calling, a young Hopkins sat down and wrote a sweeping waltz. He titled it And the Waltz Goes On. For decades, the piece lay hidden, a private dream quietly stored away, as the actor’s career carried him to international fame. Hopkins himself once admitted he thought it might never be heard again.
Then came a twist no scriptwriter could have conjured better. Years later, Hopkins and his wife were watching one of André Rieu’s legendary concerts when Hopkins casually remarked: “I’d love to have that waltz played in Vienna.” His wife, unbeknown to him, secretly contacted the Dutch violinist, sending along the long-forgotten sheet music.
Within weeks, Hopkins received a call that left him stunned: Rieu and his Johann Strauss Orchestra had rehearsed the piece, and they wanted to perform it live. The stage would not be a rehearsal room but Vienna — the very city where Hopkins had once dreamed of hearing his composition performed.
When the moment finally arrived, Hopkins sat in the audience, visibly overcome, as the opening strains of his own music filled the gilded hall. The orchestra swelled, violins dancing in sweeping arcs, the melody carrying both joy and longing. By the final notes, the Oscar-winning actor was in tears. Rising to his feet, he removed his hat and bowed to the orchestra, mouthing words of thanks through a trembling smile.

“It was like a dream for both of us,” Rieu later said. “To play his waltz in Vienna, one of the most beautiful halls in the world — it was magic.”
The piece has since become a staple in Rieu’s tours, performed to packed crowds in Maastricht and beyond, bringing new life to Hopkins’ youthful creation.
And while Hopkins continues to be celebrated for his glittering screen career, it is moments like these — whether at home serenading his cat during lockdown, or surprising hotel guests with impromptu piano recitals — that reveal where his heart truly lies.

“Music was my first desire, my first wish,” Hopkins has said. And with And the Waltz Goes On, that wish, nearly 50 years in the making, finally came true.
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