Michael Jackson, often called the King of Pop, was not just a global music icon—he was a powerful voice against racism and a staunch advocate for equality. Though he broke countless racial boundaries in the world of pop music, his racial identity and intentions were frequently questioned and misunderstood. In a collection of interviews and public statements, Jackson passionately expressed his views on race, his music’s purpose, and his mission to combat injustice.

From an early stage in his career, Jackson saw music as a tool to unite people. “People may not want to read, but they will always listen to music,” he once said. For him, music transcended racial boundaries. Whether it was rock, soul, or disco, he emphasized that dance music—rooted in African rhythms—should not be categorized racially. “It’s for the whole world because everybody does,” he declared.

When asked why he was able to cross over from R&B to pop so seamlessly, Jackson credited the sincerity of his art. “I create right from the heart,” he said. Influenced by Motown, The Beatles, and The Carpenters, he crafted songs with universal messages. He aimed to write anthems with simple melodies that even a five-year-old could sing.

Many saw Jackson as a potential ambassador for peace. He believed he was already fulfilling that role through music, saying, “It breaks all language barriers… it goes all over the world.” His wish? “World peace and making the whole world happy.”

Jackson channeled his frustration over racism and injustice through performance. In his “Black or White” video, he used dance to express his outrage at bigotry. Though some criticized its violent imagery, he explained it was a symbolic portrayal of rage and oppression. Similarly, his controversial song “They Don’t Care About Us” faced backlash for its use of sensitive language, but Jackson clarified that his intent was to confront racism and antisemitism, not perpetuate them.

He also spoke out against the exploitation of Black artists in the music industry. He condemned the historical mistreatment of icons like James Brown and Sammy Davis Jr., noting how they were forced to remain on tour just to survive. “We have to put a stop to this incredible injustice,” he urged. He pointed out how influential Black musicians like Otis Blackwell, who wrote many of Elvis Presley’s hits, died penniless.

Jackson also addressed accusations that he wanted a white child to portray him in a Pepsi commercial. He vehemently denied the rumor, calling it “horrifying” and “ridiculous.” “I’m a black American. I’m proud of who I am,” he declared. He denounced the media’s efforts to discredit him, especially after breaking records held by white artists. “The minute it became the all-time best-selling album… they called me a freak… a child molester… they said I bleached my skin. This is all a complete conspiracy.”

He insisted, “I know my race. I just look in the mirror. I know I’m Black.”

Through all the lies and attacks, Jackson remained firm in his identity and his purpose. He was proud of his heritage and wanted the world to see him for who he truly was—a peaceful, loving person using his talent to bring joy, unity, and justice.

In his words, “I just hope that one day they will be fair and portray me the way I really, really am.