Dmitri Hvorostovsky and Florence Hvorostovsky: The Merry Widow — A Final Waltz of Love

It was never just about the music. When Dmitri Hvorostovsky stepped onto the stage for The Merry Widow, the world saw not only one of opera’s greatest baritones, but a man whose heart and soul were illuminated by the presence of his wife, Florence. Together, their duet became something larger than performance — it was a portrait of devotion, a celebration of life, and, in hindsight, a farewell.

Florence Hvorostovsky has a message for us - Slippedisc

A Legendary Voice, A Shared Stage

Known worldwide for his silvery, velvet-toned baritone, Dmitri Hvorostovsky had long conquered the great opera houses of London, New York, and Moscow. But in The Merry Widow, performed side-by-side with Florence, his voice took on a different shade. Softer, warmer, it carried the intimacy of a man no longer singing to an audience of thousands, but to one woman — his muse, his partner.

Florence, radiant in her own right, didn’t merely stand beside him. She matched him, phrase for phrase, gaze for gaze. Where Dmitri’s sound soared with power, Florence answered with grace, and together they embodied the playful tenderness and bittersweet longing that make Lehár’s operetta timeless.

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Beyond Opera — A Marriage in Music

Their performance of The Merry Widow is often recalled as one of the most personal chapters in Dmitri’s storied career. By then, fans knew he was fighting a battle that even his powerful voice could not silence. His Parkinsonian illness and later health struggles were no secret. Yet when Florence took his arm on stage, guiding him with both music and love, audiences witnessed not frailty, but resilience.

The chemistry between them was undeniable — not staged, not rehearsed, but lived. Each note they exchanged seemed to say: We are still here. We are still us.

Dmitri & Florence Hvorostovsky. Duet Lippen Schweigen (Anna and Danilo). Composer: Franz Lehár - YouTube

A Memory That Lives On

Dmitri Hvorostovsky left the world in 2017, mourned by opera lovers and admired for his unmatched artistry. But The Merry Widow duet with Florence remains more than an operatic highlight. It is a reminder of music’s ability to outlast even loss.

For those who watched them, that evening felt less like an act on stage and more like a final waltz between husband and wife — a waltz that still echoes in the hearts of all who believe that love, like song, never dies.