André Rieu Transforms Music Into Pure Enchantment, Each Note a Bridge Between the Past and the Present. His Top Ten Essential Tracks Are More Than Melodies—They Are Moments of Grandeur, Waltzing Through Time With Elegance and Passion. From the Sweeping Romance of the Blue Danube to the Heart-Stirring Beauty of Adieu, Little Captain, His Music Captivates Millions, Carrying Them Into a World Where Magic and Melody Intertwine. This Is Not Just a List—It’s a Journey Into the Soul of a Maestro Whose Legacy Will Dance on Forever.

Explore the best of André Rieu’s “King Of The Waltz”; our top ten must-listen tracks include “The Blue Danube,” “The Second Waltz,” and “Boléro.”

Photo: André Rieu Productions

Light the candles, cut the cake, and sing a lusty Happy Birthday (but in triple time, of course). André Rieu, aka ‘The Waltz King’, is celebrating not just his birthday but his ever-growing success. His discs still keep flying off the shelves (40 million sold, and still counting), and the broadcast of his 2018 Maastricht Concert was the biggest cinema music event of all time. So as the Maestro of the Masses steps into another year, let’s take a look at some of the highlights of his extraordinary career.

10:  Tales From The Vienna Woods

Where better to start this round-up than on Rieu’s home turf with a cast iron hit by Johann Strauss II? This fantastic waltz, recalling the folk music of the inhabitants of the Vienna Woods, features a virtuoso part for zither and has bags of energy.

André Rieu – Tales from the Vienna Woods

9:  Highland Cathedral

By all rights, this piece shouldn’t really work at all. A bagpipe melody, composed by two German musicians, for some Highland Games held in their native land… it’s all rather confusing in a geographical sense. But the majestic simplicity of the tune, and the opulent arrangement played by André Rieu’s orchestra, somehow combine to give it that magical and irresistible oomph which he conjures so often.

André Rieu – Highland Cathedral

8:  Waltzing Matilda

Despite the title, the unofficial national anthem of Australia is not a waltz at all. The phrase ‘to waltz’ means ‘to travel on foot’, and a ‘matilda’ is a swag-bag. But André Rieu brings all his charm to bear on the simple tune, which is one of his best tracks, and when he performed it in Australia he had the audience in floods, waltz or not.

André Rieu – Waltzing Matilda, live in Australia

7:  The Radetzky March

Although Johann Strauss Senior (father of ‘Blue Danube’ Strauss Junior) was the Waltz King of his day, he proved he could turn his hand to works in duple-time sometimes too. ‘The Radetzky March’ was written in 1848 to celebrate a military victory by Field Marshal Joseph Radetzky von Radetz, and instantly became an enormous smash hit. The swagger and high spirits seem to suggest high-kicking chorus girls more than soldiers on a parade ground, but that doesn’t seem to faze Rieu.

André Rieu – Radetzky March

6:  Edelweiss

An Austrian friend of mine once marvelled at how perfectly the American musical partnership of Rodgers (composer) and Hammerstein (lyricist) had captured her compatriots’ national sensibility in The Sound Of Music – but most especially in the folk-like number ‘Edelweiss’. André Rieu turns the Von Trapp family hit into a violin solo, but it loses none of its charm on the way.

André Rieu – Edelweiss

5:  Les Patineurs

From one set of skaters to another. ‘Les Patineurs’, or ‘The Skaters’ Waltz’, by Émile Waldteufel is another of those once-heard-never-forgotten waltz melodies, with which Rieu has a particular affinity. The bells suggest a winter wonderland, the upward swoops conjure ladies being lifted into the air, and the propulsive tune has all the energy of gliding on ice.

4: Boléro

Rieu doesn’t just play waltzes. A bolero is a slow-tempo eighteenth-century Spanish dance, but since it is in triple time just like a waltz, it seems to fit right up André Rieu’s street and is one of his best tracks. Ravel’s ‘Boléro’, composed in 1928, is probably the most famous bolero of all time – especially after it was used by Torvill and Dean for their unforgettable 1984 Olympic routine.

André Rieu – Boléro (Ravel)

3:  And The Waltz Goes On

The tale behind this charming, bittersweet little waltz is almost too Hollywood to be true. The actor Sir Anthony Hopkins, who had learned the piano as a boy, wrote the melody in his mid-twenties while doodling at the keyboard, but having something of an academic inferiority complex, he shut it in a drawer and forgot about it. Years later he saw Rieu on television, and told his wife it would be a dream come true if Rieu’s orchestra could play it. Unknown to him, his wife duly sent off the score. Rieu was amazed, loved it at first hearing, and immediately put it in his repertoire. Aaah.

André Rieu – And The Waltz Goes On (composed by: Anthony Hopkins)