Startling claims about a member of the British royal family have resurfaced.
A British royal, Princess Michael of Kent, who came under scrutiny for donning a brooch with a caricature of a Black man’s face during a 2017 luncheon for Meghan Markle, Duchess of Sussex, is once again facing ire for reportedly naming a pet black sheep after tennis icons Venus and Serena Williams.
According to Us Weekly, Aatish Taseer, who dated Lady Gabriella of Windsor, the daughter of Princess Michael of Kent, addressed this allegation on the Monday, July 14, episode of the podcast, “Tell Me About Your Father”.
Taseer first shared the story about Princess Michael of Kent, now 80, in Vanity Fair in a May 2018 essay entitled “Palace & Prejudice”, addressing what Meghan Markle’s entry into the House of Windsor meant in the era of Brexit. Ultimately, Meghan Markle was subjected to racist treatment such that she moved her family out of the UK.
“I think the [story about] Venus and Serena was part of that weird air of abstraction that exists around these people and how they’re not even aware of how shocking or offensive that might be,” Taseer, shared on the podcast, reports Us Weekly.
Although these types of racist incidents usually go unchecked, Yahoo News reports that Princess Michael of Kent was forced to apologize for wearing that colonial era badge with a caricature of a Black person to the Buckingham Palace lunch with Meghan Markle.
News
For the first time, two worlds collided in the most breathtaking harmony — the golden voice of Jonas Kaufmann and the electrifying strings of David Garrett. It wasn’t just a performance at the UEFA EURO 2024 final tournament draw; it was a symphonic moment where classical mastery met emotional grandeur. As Kaufmann’s voice soared and Garrett’s violin wept beside it, time seemed to pause — a duet not just of talent, but of soul. Fans around the world, from Zagreb to Zurich, were left spellbound, unable to look away or stop listening. This wasn’t music for an event — it was a gift for eternity.
A shocking claim attributed to Jim Carrey suggests two of entertainment’s biggest titans lived in fear of one man. He…
Anna Lapwood walked into the cathedral — and every note she played carried the weight of a promise made years before.
At just 13 years old, Clara Vasseur was the kind of musical prodigy you read about but never expect to…
Last curtain call — Pavarotti poured his soul passionately on a humble stage, serenading family and close friends in a tender farewell concert. Under soft, glowing lights, every note he sang carried a lifetime of emotion, breaking through the silence and wrapping the room in heartfelt memories. The intimate setting amplified the power of his voice, turning a simple evening into an unforgettable moment where time seemed to pause. Tears flowed freely as the legendary tenor’s final performance became a moving tribute to art, love, and the fragile beauty of goodbyes — a night forever etched in the hearts of those lucky enough to witness it.
Last curtain call — Pavarotti poured his soul passionately on a humble stage, serenading family and close friends in a…
Pavarotti’s final message — a heartfelt letter and inspiring video to young opera singers urging passion, perseverance, and artistic responsibility Before bidding farewell to the world, Luciano Pavarotti left behind more than just his legendary voice. In a poignant letter and a deeply moving video message, he reached out to the next generation of opera singers, offering words that echo far beyond the stage. Pavarotti spoke of the fierce passion that fuels true artistry, the unyielding perseverance needed to master the craft, and the sacred responsibility every performer carries to honor and evolve the art form. His message is a timeless call to young artists: pursue your dreams relentlessly, respect the legacy, and never lose sight of the soul behind the song.
Pavarotti’s final message — a heartfelt letter and inspiring video to young opera singers urging passion, perseverance, and artistic responsibility…
Pirates of the night — In the echoing grandeur of the Philharmonie, Anna Lapwood unleashed Hans Zimmer’s “Pirates of the Caribbean” on the pipe organ like a storm breaking at sea. The bass rumbled like cannon fire, the treble danced like moonlight on restless waves, and the hall itself seemed to tilt with the music’s pull. For a few spellbound minutes, strangers became shipmates, riding a shared surge of adrenaline and wonder. And when the final chord rang out into the dark, it felt less like an ending and more like the wind carrying the ship onward.
Pirates of the night — Anna Lapwood summons cinematic storm on organ pipes, making Hans Zimmer’s ‘Pirates of the Caribbean’…
Serena Williams’ Ex-Coach Reveals Untold Memories of Her Journey With Venus and Her Sister
From real competitors to close friends! Rennae Stubbs is one of the luckiest people in the tennis world, having had…
End of content
No more pages to load
