Serena Williams was a champion on the tennis court for more than two decades, amassing 23 Grand Slam singles titles and 14 doubles Majors, not to mention the countless other trophies and accolades she earned.
Off the court, as well, the American was second to none, championing various initiatives previously not so openly discussed in the tennis world.
Foremost among the topics she vocally discussed in the public eye was the issue of body positivity. Particularly in an interview with the New York Times in 2015, the former World No. 1 confessed that she rarely did weight training in the gym, as she did not want to get “bigger” by putting on muscles.
Williams, to her credit, admitted that it was an issue she battled with for a long time before realizing it was to her benefit to accept herself as she was.
Having turned such a corner, Serena Williams stated, that it was easier for her to urge others to love their own body types as well, seeing as she had personally wrestled with that demon in her own private life.
Serena Williams was a champion on the tennis court for more than two decades, amassing 23 Grand Slam singles titles and 14 doubles Majors, not to mention the countless other trophies and accolades she earned.
Off the court, as well, the American was second to none, championing various initiatives previously not so openly discussed in the tennis world. Foremost among the topics she vocally discussed in the public eye was the issue of body positivity.
Particularly in an interview with the New York Times in 2015, the former World No. 1 confessed that she rarely did weight training in the gym, as she did not want to get “bigger” by putting on muscles.
Williams, to her credit, admitted that it was an issue she battled with for a long time before realizing it was to her benefit to accept herself as she was.
Having turned such a corner, Serena Williams stated, that it was easier for her to urge others to love their own body types as well, seeing as she had personally wrestled with that demon in her own private life.
“I don’t touch a weight, because I’m already super fit and super cut, and if I even look at weights, I get bigger. For years I’ve only done Thera-Bands and things like that, because that’s kind of how I felt. But then I realized that you really have to learn to accept who you are and love who you are. I’m really happy with my body type, and I’m really proud of it. Obviously it works out for me. I talk about it all the time, how it was uncomfortable for someone like me to be in my body,” Serena Williams said.
In a later interview with the Guardian, Williams showed this side of her personality even further, recalling how she understood comments in the media about her body were a ‘big joke’ because she was somehow called both too ‘masculine’ and too ‘racy’ in the same breath by many.
“Too muscly and too masculine, and then a week later too racy and too sexy. So for me it was just really a big joke,” Williams said.
“My arms are really fit, but I wanted to cover them” – Serena Williams
In an interview with the New York Times, Serena Williams revealed one aspect of her body image that she particularly struggled with.
The American was proud of her arms, marveling at their fitness, but at the same time, she admitted that she covered them more often than not because of how people saw them, “My arms are really fit, but I wanted to cover them, because when I do people don’t recognize me as much,” she said.
Serena Williams, following a very successful career, hung up her racket at the end of the 2022 season, playing her final tournament at the US Open and reaching the third round.
News
Magic in midair — André Rieu dazzles Dresden with ‘Dancing Through the Skies’ in a spellbinding live spectacle that leaves audiences breathless. With his bow like a wand and his orchestra soaring, Rieu turns Dresden’s night into a dreamscape of waltzing stars and floating melodies. Fans erupt, hearts lift, and social media explodes as the king of romance redefines live performance. Was it a concert—or a moment of musical flight the world won’t forget?
Magic in midair — André Rieu dazzles Dresden with ‘Dancing Through the Skies’ in a spellbinding live spectacle that leaves…
Frozen fire — Yehudi Menuhin unleashes Vivaldi’s ‘Winter’ with piercing beauty and emotional storm in every note. Each bow stroke cuts like ice as Menuhin transforms the familiar classic into a blizzard of feeling and finesse. This isn’t just virtuosity — it’s a visceral journey through frostbitten landscapes and haunting silences. Fans are swept into the chill, social media buzzes, and the question lingers: has ‘Winter’ ever burned this bright?
Frozen fire — Yehudi Menuhin unleashes Vivaldi’s ‘Winter’ with piercing beauty and emotional storm in every note. Each bow stroke…
On April 22, 2018, Carnegie Hall became a place of remembrance, love, and music as some of the world’s most renowned opera singers gathered to honor the legacy of the great Dmitri Hvorostovsky. More than just a tribute concert, the evening was a heartfelt celebration of his unforgettable artistry, featuring the repertoire that defined his illustrious career—from grand opera arias to the deeply emotional Russian and Gypsy romances that resonated so deeply with audiences. Nino Surguladze, Veronica Dzhioeva, and Raúl Melo—frequent collaborators and dear friends of Hvorostovsky—took the stage, each performance carrying the weight of both sorrow and admiration, their voices filling the hall with the same passion and elegance that Hvorostovsky himself once delivered.
On April 22, 2018, Carnegie Hall became a place of remembrance, love, and music as some of the world’s most…
No one will ever be able to equal or surpass his splendid voice. Mario Lanza, one of his notable recordings includes the song “Tina-Lina,” in which he performs alongside a young and charming Rita Moreno. This collaboration showcases not only Lanza’s vocal prowess but also the budding talent of Moreno, who would later go on to become a legendary actress and singer in her own right.
No one will ever be able to equal or surpass his splendid voice. Mario Lanza, one of his notable recordings…
The stage was electric as a contestant poured their heart into (I’ve Had) The Time of My Life—but the real shock came when Tom Jones himself stepped in, his deep, velvety voice harmonizing effortlessly. Gasps rippled through the audience, quickly turning into thunderous applause. The duet unfolded like pure magic, a seamless blend of nostalgia and raw talent. Fans rose to their feet, swaying, cheering, and capturing the unforgettable moment on their phones. By the final note, the entire room was on fire with excitement—this was more than just a performance; it was a once-in-a-lifetime spectacle.
The stage was electric as a contestant poured their heart into (I’ve Had) The Time of My Life—but the real…
There’s a wonderful rapport between Hahn and the harpsichordist as the frequent eye-contact between them highlights. This is a beautiful performance and Hahn is reaching new heights of virtuosity with each passing year. Renowned violinist Hilary Hahn delivered a breathtaking performance of Johann Sebastian Bach’s Violin Concerto No. 2 in E Major, BWV 1042, alongside the esteemed Deutsche Kammerphilharmonie Bremen. This collaboration highlighted Hahn’s technical brilliance, interpretative depth, and impeccable artistry.
There’s a wonderful rapport between Hahn and the harpsichordist as the frequent eye-contact between them highlights. This is a beautiful…
End of content
No more pages to load
